Old Pictures

Here you find some of my older pictures, that have partly been drawn or painted during my school years. The newest are on top.

Ganymede and the Darkmen

Watercolour, 24 · 15 ½ cm², 1999. — Ought to have become some sort of allegory; what exactly, I don’t quite know myself. The name “Ganymede” was chosen simply because I liked it, not because I put emphasis on its significance in Greek mythology.

Ganymed und die Dunkelmänner

Hound and Hunter

Watercolour, 24 ½ · 10 cm², 1999. — Once served as an illustration for a previous page on my hunting hobby.

Jäger mit Hund

Homecoming

Watercolour, DIN A 4, 1998. — A fantasy picture. Whoever (as a better connoisseur of horses than I am) thinks he detects errors in anatomy, bridle, or the way the reins are held, must be mistaken: That’s just how it is with a pegasus. The crosses on the wings come from my favourite aircraft, the German biplanes of World War I.

Heimkunft

… having the World at his Feet

Watercolour, DIN A 4, 1997. — The continuation of the subject from the previous picture, but this time from the opposite perspective.

dem die Welt zu Füßen liegt

Adloff the Gigantic …

Watercolour, DIN A 4, 1997. — This was my second watercolour picture. (The first was a less exhibit-worthy attempt, which I no longer own.) At some point in senior art classes, watercolour painting became the subject, and the assigned topic was “Man and Space.” So all I did was depict a man in space. To make it especially impressive, I chose to depict a particularly impressive — superior, superhuman, gigantic — man: Adloff the Gigantic. The name “Adloff” comes from a figure that appeared to me in a dream: Adloff Uffbruchlokal, the ugly innkeeper of a rundown tavern. Unlike the figure shown here, he resembled Mampf from the Knax characters. “OPQR” stands for the letters of the alphabet between N and S.

Adloff der Gigantische

Cherub before Paradise

Pencil, 19 · 24 cm², 1997. — One of the cherubim who, according to Genesis 3:24, bar the entry to the Garden of Eden. Together with the previous one and other pieces, this picture was meant to be part of a collage on “angels” in my art class.

Cherub vorm Paradeis

“… the angel guards the gate no more, to God our thanks we pay.”

Lucifer and Michael

Pencil, 21 · 30 cm², 1997. — A preparatory sketch for a never-completed pencil drawing from my senior art classes, which was supposed to become part of a collage on the theme of “angels” together with the above drawing. It shows the ‘fallen angel’ Lucifer just after being defeated by St. Michael the Archangel.

Lucifer und Michael